diminished scale pattern

I first learned about the double diminished scale in the 1970s, inspired by pianists like Chick Corea and Herbie Hancock. Since the diminished scale is symmetrical and you can moving everything around in minor thirds we can also see that if we have a G major triad, we will also have Bb, Db and E major triads. This scale is great over a dominant chord, particularly a 13(b9) chord. Here is an example of an arpeggiated diminished scale pattern that I featured in the video. whole steps. The diminished scale will always sound tense, unless it's resolved. Hopefully you can see the half-whole diminished scale is the better fit for a dominant 7th chord because it contains the guide tones of a seventh chord. Diminished Seventh Chords. 0000000990 00000 n endstream endobj /Gs2 11 0 R /Gs1 12 0 R >> /Font /F1.0 6 0 R /F2.1 8 0 R /F3.0 Michael Brecker's diminished scale pattern based on major and minor triads. The diminished scale is a symmetrical scale, constructed from a repeated sequence of intervals (major second, minor second). It is generally played over dominant 7 chords (7b9). Ein anderer weit verbreiteter Name ist auch "symmetrical diminished", "dominant diminished" oder einfach nur "diminished" Scale, da die Tonleiter auch über verminderte Akkorde gespielt werden kann, doch dazu später mehr. It displayed countless chords alongside scales that corresponded to them and connected dominant seventh chords with the double diminished scale. I don’t always think about the scale starting on the root note. The diminished pattern uses a lot of the minor intervals. The half-whole diminished scale (the diminished scale) known as "dominant diminished scale" is constructed by repeating a pattern of half and whole steps. Diminished scales and chords are a very important subject. There are plenty of resources to find these. Also, try searching for more diminished scale patterns to apply, or come up with your own. Master the bebop scale and its applications and you’ll have a technique that you can apply to Dominant, minor, half-diminished, and sus chords. The Diminished Scale is built upon two diminished seventh chords. Patterns in improvisation are the "catch phrases" we all use, some more than others. So, you will be able to use the cool diminished patterns you learn over dominant 7th chords as well as diminished chords. Diminished harmony works as a ‘base’ or a ‘spine’ to all harmonic movement. The diminished scale is built with a direct formula of whole and half steps repeated one after the other. The Diminished scale is a scale that you have probably heard of and you know that it is a symmetrical scale and most of the time when people talk about using it then you get all these patterns that repeat. Scale - Diminished 1,2,b3,4,b5,b6,6,7 FULL-th pattern Root note - D Guitar Tuning: Standard - E-A-D-G-B-E And as we’ll show you below…even ii-V’s. Some overall characteristics: There are 9 notes that make up a diminished scale instead of eight. To help dig deeper into this important scale, this lesson will cover one of the most commonly used dominant diminished scale patterns in jazz. We are going to talk about two diminished scale patterns that have whole and whole half. Otherwise, this may be practiced by younger players as simply a written exercise for technique. The Half/Whole Diminished Scale(C Db Eb E F# G A Bb) should be memorized before attempting memorization of the patterns below. 3 Functions Of Diminished Chords . IMPORTANT NOTE! Home » Piano Theory » The Diminished Scale. Dealing with diminished scales naturally leads to diminished chords. Randy Hunter. Find guitar scales using graphic interface. Half/Whole Diminished Scale Starting on Bb. They are symmetrical. Patterns, scales & licks for intermediate to advanced players. “Whenever you see or hear one of the chords from above…” Jazz is aural. Sheet Music: Jazz Piano Lesson #46 - Diminished Scale Workout I've mentioned many times before on this blog how big a fan I am of technical exercises. Half-Whole Diminished Scale (Auxiliary Diminished Blues) If you start with a half-step, the pattern is hwhwhwhw. The Diminished scale is an important scale used in Jazz but can also be used in blues. Once again, we will consider all of the equivalent scales: A, C, Eb and F# dominant diminished are equivalent. Pattern 3. play notes. Diminished Scale Patterns Diminished scales are divided into two categories: half-whole diminished scales, and whole-half Example 1 diminished scales. Here I have mostly followed the convention of sharps ascending and flats descending, but have used B instead of Cb. Diminished scale The diminished scale is an eight note scale. I guess the best place to start is to define what a diminished scale is. Also, I want to emphasize what I said above. The diminished scale is an eight-note entity, as shown in FIGURE 2. In this page we're going to discuss a common jazz scale called the the Octatonic scale. These CAGED scale patterns help you learn the diminished scale as it relates to standard CAGED chords. If your into jazz this is one you need to learn. First lets look at the scale as a shape. But for, the problem was always that melodies with repeating patterns like that don’t sound that great. Diminished Scales. For instance, Pattern 1 will correspond to a C chord. Once again we can see a pattern in the dominant diminished scales. How to practise a diminished scale. The dominant diminished scale, also known as the half whole scale, is an eight note scale with a numeric formula of 1-♭ 2-♯ 2-3-♯ 4-5-6-♭ 7-8/1. You might start at different points. Here is a diminished scale starting on a Bb and beginning with a half tone. In this "5-minute masterclass" we’re going to take a look into the diminished chord and scale. In the video I’ve used the example of a Bb7 chord. In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. The next way you can use the bebop scale is over the ii-V-I progression. We are using the half-whole diminished scale, also known as the dominant diminished scale. Pattern 1. play notes. So I’m gonna just play through one of the examples on page 30 for the E diminished scale or G, B flat D flat diminished scales. Almost every exercise I work on is played and sung through all twelve keys. I decided to delve into this so I could better understand and use these scale and patterns in my music. If you look closely, you may notice that the A dominant diminished scale has exactly the same notes as the C, Eb, and F# dominant diminished scales. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). Here is one of many diminished patterns. It is a symmetrical scale in that it follows a distinct pattern of steps, those being half step, whole step in a repeating pattern, not to be confused with the diminished scale which follows a whole step, half step pattern. The diminished scale pattern simply goes like this whole step half step whole step half step repeating this all thevway up and back. To learn the triads and have material to make lines it is practical to learn the inversions of the triads: Here are 3 of the 4 string sets. It can also be used for fusion and heavy metal. Diminished Scale Patterns For Improvisation. Here is a pretty easy way to combine the usage of tritones on dominant chords and the playing of a diminished scale or pattern to compliment it. The Diminished Scale is: An Octatonic Scale (i.e. Unlike the modes, the diminished scale is built from a continuously symmetrical intervallic sequence as each four-note group progresses. It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. The first one is G diminished half whole scale. The diminished scale and how to use this scale building patterns from the diminished scale has always been a bit unclear to me. This means that the scales are constructed using a repeated pattern of half and h w h w etc. This scale is primarily used in jazz music and works well together with alternate seventh chords. I like to think of these kinds of scales as mental gymnastics, not only for the player, but for the listener. Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). Its a symmetrical scale and thats what makes this possible. Pattern 4. play notes . Finger pattern can be several ways first, third, fourth next string first, second, fourth slide up a half step, next string first, second which is the octave. It’s formula follows an alternating pattern of whole steps and half steps—whole, half, whole, half—that repeats up to the octave root note, as illustrated in In classic music any music scale that contains eight notes is called an Octatonic scale. Due to this symmetry, one quickly sees that in fact, there are only three different diminished scales; each of the three scales may be definted in terms of four different roots: In other words, the Db, E, G, and Bb diminished scales use the same eight pitches. ... however while learning the basic scales and diminished patterns it’s easier to use whatever seems simplest. This means that we can create some very interesting, repeating patterns. The interval pattern is 1 - b9 - #9 - 3 - #11 (or b5) - 5 - 13 (6) - b7. Two Scales As One . it has 8 notes) A Symmetrical Scale (i.e. 2. Dominant Diminished Scale Pattern. I feel like my playing is at it's best when I have some sort of daily technique routine. The scales and patterns shown in this lesson are based on the half-whole versions of the diminished scales. So we are going to do both of them as they are separated scales. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale Both diminished scales have a repeating pattern: half step – whole step and whole step – half step. Its one of these scales that just sound like jazz. The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. Diminished scales are symmetrical. A whole step/half step diminished scale applies to diminished chords. The Diminished Scale. Using the bebop scale over ii-V’s. Pattern 2. play notes. As a general rule of thumb, you can think of the . As long as you land on a chord tone in the next measure, you should be good to go. Make those neurons pop. In other words, for a Cdim7 chord, C – Eb – F# – A, you would use a C whole step/half step diminished scale. 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